I have always suffered from a severe phobia of commitment. From the time I moved out of my parent's home at the age of eighteen to twenty-one when I moved to Montreal, I count five apartments and twelve roommates. Alex was the only one that lasted a full year. The perpetually complex state of my revolving-door relationships must have been difficult for my friends to follow. Until I met Fred, the longest of these had lasted four months. The first of these four month relationships, was of course the infamous Rob who I believe was forced out of the apartment after promising to move to Montreal with me and revealing he believed we were 'meant for each other'. Famous last words, it would seem. The second of these was the less than infamous Daniel who was kept a guarded secret (one that mysteriously leaked out anyway, Caycee) because of the questionable age difference between us. Daniel saved me the trouble of ending our relationship at the four month mark when he announced he was moving to Ireland to pursue his Master's in Acting (or some such non sense). But Daniel had not yet boarded the plane when I met Fred. I distinctly remember telling Fajer (my roommate of the moment), that Fred terrified me because I had the unsettling feeling that he might break through the four month expiry date. It seems that uneasy feeling was right- here I sit four years later wondering how it is that he snuck up on me like that. I have come to realize that this fear of commitment is not unique to roommates, apartments and boyfriends. It seeps into every aspect of my life. I hate to make plans ahead of time- commitment phobic, you see. More than anything, this commitment phobia has affected my direction with theatre. Teachers and fellow students in school told me that I was a bit of a mystery to them- I had all the pieces to be really successful, but I was choosing not to put it all together. It's true. Putting all those pieces together means making a commitment to myself, to follow through. It means no more excuses, no more bad jobs. It means making a real commitment to theatre.
I glance at my fancy Korean cell phone and realize that the countdown it began long ago to my final days here is fast approaching. As I stumbled in late last night from a day out with Song, I began to feel the first pangs of resistance. Was I ready to leave? For months I had promised Song that I would be back, but the realization has begun to hit that this may be it. Maybe I won't be. Throughout this year, Fred and I have talked many times about returning to Asia together in the future. Part of me loves to believe that it'll happen, but another part of me wonders. I have been bitten by the travel bug- it is certain that I will find myself back 'dans ce coin', but in promising Fred and Song that I'll be back, I suddenly feel as though I'm promising to put my life on hold again. Life in Canada has been on pause for nearly a year now- my career and education plans put aside for a time while I take a year to work on me. The only thing that has changed in Canada is my relationship with Fred. It's continued to grow and change as it needs to under these odd circumstances. In saying that in two years we'll be back, implies that we'll be perfectly willing to again pause our lives in Canada and return to Asia. I'm not sure that's reality. I have found a direction this year. I have come to realize that committing to theatre does not need to mean a commitment to poverty. It doesn't necessarily mean that I am deciding to pursue acting at the exclusion of other interests.
Years ago someone told me that Sesame Street was to blame for the existence of Attention Deficit Disorder in our generation- that we had become so accustomed to receiving a full story in the space of a minute or two that this later affected out ability to focus in school. Perhaps. If this is true, than it is not only my knees that bore the brunt of my active childhood. My parents encouraged and supported my involvement in ballet, gymnastics, figure skating, soccer, basketball, baseball, swimming, synchronised swimming, horseback riding... the list goes on and on. It wasn't until I reached high school that the line was drawn, as it seemed that it was suddenly impossible to participate in everything that I wanted to. My activities were grudgingly narrowed to drama, soccer and basketball. Maybe this is where the reluctance to commit stems from. There's so many choices, so many options- why commit? Why should I choose? To be honest, I've come to realize that it is just not in my nature. There is too much to life that I want to experience, and I've acquired interests and skills in too many areas to say that 'this is it'. My reluctance to commit to theatre is exactly that. I have scattered passions, and I want to pursue them all. And I've realized I can.
Months ago I began to have minor panic attacks at the thought of returning to Montreal. The prospect of returning to customer service both infuriated and terrified me. Now I find myself looking to it excitedly- Montreal, that is, not customer service. At points this year, I have fallen into the trap of treating this year as though it's my one and only opportunity to make money. I felt incredibly guilty buying my computer, convincing myself that I should put the money aside for savings. Illogical when you consider that I'm not sure how I made it through my first degree without a computer, and I am certainly not going to do it again. I contemplated my trip to Taiwan, again thinking I should save the money instead. Fortunately logic kicked in at moments. I've waited since high school for an opportunity to travel, I'm not about to waste this opportunity to see the world. Further, this year has prompted me to see how many opportunities there are and assured me that if I am willing to go a few uncomfortable months upon my return to Montreal, it will pay off. I know what I'm going to do, and I love that I'm tossing around a hundred different possibilities, none of which involve passing out CVs to restaurants.
I seem to be rambling today. Truth of it is that my feelings about returning to Canada change every ten minutes, making it very difficult to articulate them without contradicting myself. Even with the contradictions, it's hard to communicate. Last week, my secretary at school passed me a belated-birthday present. I held back tears as I read her note that apologized for her poor English and expressed how sad she was that I would soon be going home. Kate and I have hardly spoken this year as her English is only slightly better than my Korean. I hadn't considered how difficult leaving was going to be until that moment. I never realized it was possible to feel so close to someone that you had exchanged so few words with. And even fewer were understood. My countdown tells me that I have 50 days until the end of my contract. Part of me feels like that I need more time. I wish I had fewer week-days and more week-ends before October 31st. As Song and I parted ways last night, I felt upset that I am now left with only six Saturdays before I head home. The interviews for the poor sap that will replace me are in full swing. Whoever it is will arrive in five weeks. October 31st will be an incredibly emotional day for me. Not only is it my last day at school, but it is also the two year anniversary of Tyler's death. Instead of rushing home after this emotional day, I'll be packing my bags to rush through Thailand, Laos and Cambodia (true to my nature, making things as difficult as possible) for two weeks before landing in Calgary to visit my mother and my few remaining friends. With all these thoughts floating in my head, I went to bed last night and called Fred this morning when I woke up. He was busy and we only spoke for a minute before hanging up. Suddenly the seven weeks before my departure felt like an eternity. I checked my cell phone, hoping that somehow in the last ten minutes time had sped up and it was finally October. No such luck. The end is so close and so far all at once- and time seems to be slowing down the more excited I become at the prospect of being home at last...
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